One of my favorite recordings of all time is Glenn Gould playing the Goldberg variations from Bach (the 1981 version!!!). Each variation on its own is utterly delightful; however, when listened to in its entirety the Variations are a whip smart demonstration of the piano’s dexterity, nuance, and beauty. My favorite section is the Aria and first variation. The Aria nearly brings me to tears every time I listen. One of my favorite aspects of the recording is that you can hear Gould singing along to the piano, his chair creaking with the crescendos. The Aria melts into Variation 1, which is undoubtedly a headbanger.
Gould's annotated score |
of the variations on there. I’m curious if the tenderness of a variation like the Aria is transferable to an electronic instrument. Bach originally wrote the Goldberg variations for harpsichord, which Gould disregarded Also, Variation 5 would be so fun to learn how to play and transpose onto a synth. I found a good eBay deal on a MicroKorg from Bulgaria... I'll keep you posted on my acquisition.
Gould himself loved the Moog synthesizer and Wendy Carlos' Switched On Bach (an album recorded on a Moog synthesizer). I'm no music scholar, but I think Bach would have loved synthesizers as well. Why not?
P.S. If your classical music interest is piqued go give Grieg's Piano Concerto in A minor, Op. 16 - II. Adagio
a listen. The first time I heard this piece I was sitting on the couch with my Oma watching a live broadcast of the Munich Philharmonic. She hummed along the whole time, somehow knowing every note and it's intonation. It was supremely touching. It reminded me of Gould's humming.
Here is a Berliner Philharmonic recording: