One of my favorite recordings of all time is Glenn Gould playing the Goldberg variations from Bach (the 1981 version!!!). Each variation on its own is delightful; however, when listened to in its entirety the Variations are a whip smart demonstration of the piano’s internal logic. The Aria nearly brings me to tear; you can hear Gould singing along to the piano, his chair creaking with the crescendos.
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| Gould's annotated score |
of the variations on there. I’m curious if the tenderness of a variation like the Aria is transferable to an electronic instrument. Bach originally wrote the Goldberg variations for harpsichord, which Gould disregarded (based)
Gould himself loved the Moog synthesizer and Wendy Carlos' Switched On Bach. I think Bach would have loved synthesizers. The harpsichord, in comparison to a pianoforte, is a lousy instrument. If Bach could have composed on a piano, I bet he would've. This isn't to say that a proper piano is at all the same as a synth, a synth can't come close, but I do think the sentiment of instrumental experimentation I envision Bach to have had to hold true across instruments.
